Latest posts
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Grinding Wall of Hype: The DOD Death Metal Myths Every Noise Artist Repeats
If you’ve spent any time in noise circles, you’ve heard about this pedal. Somebody’s zine mentioned it. Somebody’s Bandcamp tag list mentioned it. Somebody in a Facebook group told you your wall wouldn’t sound right without one, and then quoted a price that made you close the tab.So here’s the thing worth saying up front:…
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OHOI RECORD
Ed : Halo Nggo! So, what have you been up to lately? EG : All Good , Good Food , Good Activty , Good Sound , Good Book . sorry for delay around 1 yearss to respond your text Mr ED . thank you for Interview . Ave Satani! Ed : I’d like to know…
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S.U.E.Z Announces DCLXVI:
Credits: Songs recorded by Achellsuez SNLFTP (HMD Reworked) by Greg Tandiono Mix & Mastered by Uya Cipriano Artworks by Junieawanbagaskara Blank Panels by Viva_Devices Digital Release by Noinputrecords S.U.E.Z Announces DCLXVI: A Manifesto of Technoise Through Eurorack Modular SynthesisJakarta-based experimental artist S.U.E.Z returns with DCLXVI, a six-track album that pushes the boundaries between harsh noise…
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SODADOSA
An Exclusive Interview — Harsh Noise, Yogyakarta After a long absence from the stage, Sodadosa — one of the key names in Indonesia’s harsh noise scene — is finally performing again. We sat down with him to talk about a “hiatus” that turned out to be no hiatus at all, the new wave of local…
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Decaying Magnetic Tape and the Mastery of Tape Loops
In an era of clean, digital infinite-undo, the physical decay of magnetic tape remains our most vital creative weapon. A physical cassette tape loop does not merely repeat a sound; it slowly destroys it with every pass over the playback head. Each rotation scrapes away a microscopic layer of iron oxide, introducing hiss, dropouts, and…
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The Raw Physics of Blown Out Contact Microphones
Every noise artist eventually learns that traditional studio gear is designed to prevent the very friction we crave. To capture the true texture of metallic scrape and concrete resonance, we must abandon the pristine studio condenser and embrace the violent limitations of the contact microphone. These inexpensive piezo discs do not capture air; they capture…
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Live Static and the Survival of Basement Noise Gigs
Harsh noise was never meant to be experienced comfortably. While modern experimental music occasionally creeps into sterile, state-funded art galleries, the real spirit of noise survives in damp, unventilated basements. It is in these dark, cramped spaces where the physical power of extreme sound pressure waves can actually be felt rattling the ribcage of everyone…